Virtual Piano Thoughts…

Guitar Center had a sale a few days ago, and I used it as an excuse to buy Ivory II. After the brutal 2.5 hour long installation, I loaded up the Yamaha C7 and played through some of Little Shop of Horrors. Wow! Regret was the first thing I felt…regret that I didn’t buy it months ago. I actually did buy Pianoteq a few months ago. I hated the included pianos in Apple MainStage, and wanted a virtual piano with a small footprint. Pianoteq takes up 8 MB worth of hard disk space, and it sounds pretty good. Actually, it sounded GREAT before I loaded up Ivory II.

It’s weird… Pianoteq is much more playable and expressive, but it’s lacking something. I say it’s weird because I also want to say Ivory II is more expressive than Pianoteq, but that would contradict my first statement. Hm. Ivory II sounds like an actual piano. Pianoteq feels like playing an actual instrument that sort of resembles a piano, but isn’t. Get it? Good.

I remember being really impressed with the Motif XF8 pianos. They do sound amazing, but for some strange reason…I thought they were…enough. Seriously? What is “enough” when it comes to piano sounds? I was really happy with the Motif XF8 sounds, and produced quite a few tracks with them. I knew about Ivory back then, but I had no interest because I was too busy thinking I had “enough”. Bringing the Motif XF8 to every single gig was a nightmare. The things weighs a ton. I would’ve be surprised if it actually does weight 2000 lbs. I ended up getting a CP33, which has a better action than the Motif XF8 without all the bells and whistles. I liked the piano sound on the CP33 too, and I practiced on it a lot. Playing pop rock with the Mono Piano sound was always fun. Again, I thought it was “enough”.

Well…I ended up playing for ten hours the day I got Ivory II. Moral of the story…you can never have “enough” when it comes to piano sounds. There’s always something better.

5.16.13

It’s been a crazy few weeks. After finishing opening weekend of Aida back on the 5th, I left for New York City for a little taste of what I want my life to be like post-graduation. I arrived Monday morning, and immediately got started on work the same day. I spent most of the week in the office doing keyboard programming for the MUNY’s production of Shrek this summer. On Wednesday, I tagged along on a work call at Newsies. The Yamaha MOX8s were being swapped with S90XS‘s. After physically swapping them out, we had to make sure MainStage worked with the new keyboards. Being in the Newsies pit was pretty unreal, and it made for an amazing day despite the torrential rainstorm. Here’s a photo of the Keys 2 chair after the keyboard swap with the MainStage interface blurred for obvious reasons.

Newsies Pit

I’m back in Boston for the week running a few errands, but will be back in NYC on Sunday. I’ve got three scheduled pit visits over the next two weeks, so it should be a fun month!

4.28.13

I just got home from Aida sitzprobe, and now understand the big deal about having the orchestra in a separate room from the cast and audience. The theatre isn’t big enough to hold the orchestra, so we’re in the room next door. The conductor has a camera pointed at him, and the picture is fed to a monitor in the theatre. Here’s a photo of our keyboard rig.

Aida Keyboard Rig

Keyboard 2 (left) uses a Yamaha CP33 controller and a MOTU UltraLite-mk3 audio interface. Keyboard 3 (right) uses a Yamaha Motif XF8 along with the built-in FireWire FW16E audio interface. Both books were programmed in Apple MainStage. Keyboard 1 uses a Yamaha digital piano without any programming.

Bye-Bye, Bat Boy

Junior year is over, and I’m having a hard time believing there are only two more semesters before graduation. Due to last week’s events, the Friday night show of Bat Boy was cancelled. Luckily, the Saturday show did end up happening. Here’s a photo of the pit.

Bat Boy is orchestrated for two keyboardists, guitar, bass, and drums. I played the Keyboard 2 book which required two keyboards – the top one was almost exclusively reserved for organ sounds. I programmed the show with Apple MainStage, and used a Yamaha CP33 and M-Audio KeyStation 88es. Audio was fed through a MOTU UltraLite-MK3 audio interface to the house. I had three pedals for this show – sustain, volume, and patch change. The sustain and volume pedals were hooked up to the CP33, and assigned to MIDI CC#64 and CC#11 for both keyboards. The patch change pedal was hooked up to the sustain pedal port on the KeyStation 88ES, and was assigned to the patch change function in MainStage.

Keyboard 1 was programmed entirely on a Yamaha Motif XF8, and took WAY less time than Keyboard 2 programming. Our piano conductor Alex also had an auxiliary 25 key MIDI controller to trigger various sound effects throughout the show. The SFX patch was a custom EXS instrument loaded into a concert level patch in my Keyboard 2 programming.

I piano conducted Spring Awakening with this group last year, and that required much less pit technology. Despite a week full of chaos and cancelled rehearsals, we made everything work. I actually finished the last twenty or so Keyboard 1 patches two hours before opening the house. All the effort was worth it in the end. This was the last show with this group for everyone in the pit, and we all wanted to make the experience as memorable as possible.

4.16.13

I played a “last day of class” concert today with members from my vocal jazz group. It was a great way to wrap up the semester, and everyone had fun. Our group performed a rendition of Stevie Wonder’s Overjoyed. Instrumentation was vocals, guitar, piano, and percussion.

Bat Boy rehearsal was scheduled for the evening, so I had some time to myself beforehand. I decided to go to the Museum of Fine Arts (again) to check out the new samurai exhibit, cleverly named “Samurai!”. Here are a few photos I took.

Bat Boy rehearsal was really productive. I finished programming both keyboard books, and mentally organized most of the signal chain in the pit. We’re implementing a headphone monitoring system this year, which means more cables everywhere. It also means this show will be a blast to play! Two more tech rehearsals before opening night. I’m excited.